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        <datestamp>2024-10-11T01:20:22Z</datestamp>
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          <dc:title>中上健次「浄徳寺ツアー」における〈語り〉の試み　――〈語り物〉文芸の受容と、老婆の〈語り〉――</dc:title>
          <dc:title xml:lang="en">Attempts of 〈narrative〉 in Kenji Nakagami's "Jōtokuji Tour"</dc:title>
          <jpcoar:creator>
            <jpcoar:creatorName>松本, 海</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="ja-Kana">マツモト, カイ</jpcoar:creatorName>
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          <jpcoar:creator>
            <jpcoar:creatorName xml:lang="en">MATSUMOTO, Kai</jpcoar:creatorName>
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          <jpcoar:subject subjectScheme="Other">中上健次</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">浄徳寺ツアー</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">語り物</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">文芸の受容</jpcoar:subject>
          <datacite:description descriptionType="Other">pdf</datacite:description>
          <datacite:description descriptionType="Abstract">Kenji Nakagami, who was born in Kumano, a land which inherited various traditions, and was brought up by an illiterate mother in his young age, was a writer with a strong conscious of the &lt;narrative&gt; aspect of the oral tradition. In the short work series from 1974 to 1976 compiled later into the short story collection "Kesho", &lt;oral literature&gt; such as Noh, Noh songs and sermons are used as motifs. There are several prior studies on &lt;oral literature&gt; in the "Kesho" work group, and the relationship between specific concrete classic works as &lt;oral literature&gt; and the short stories of "Kesho" has already been pointed out. Although there are no consideration on the reception of such &lt;oral literature&gt; about other Nakagami works produced at the same time than "Kesho". For other works as well, we must consider the relationship with &lt;oral literature&gt;. 
Looking at the "Jōtokuji Tour" ("Bungei Tenbou" written in April 1975) written at the same time that the "Kesho" work group, Nakagami was trying to express &lt;narrative&gt;. In the "Jōtokuji Tour", the hero, who is a tour operator, guides guests including old women participating in a tour around Jōtokuji. Under these circumstances, the old women surround him and talk a lot about their own experiences of the past. The distinctive narratives of old women showed a new horizon as Nakagami, caused &lt;narrative&gt; to express through the work group of the same period. I analyze &lt;narrative&gt; appearing on "Jōtokuji Tour" in detail, while clarifying the importance of "Jōtokuji Tour" which was rarely mentioned until now. I will reexamine the attitude of &lt;narrative&gt; and &lt;oral literature&gt;, and want to show a new direction in the Kenji Nakagami's research.</datacite:description>
          <dc:publisher>人間文化研究機構　国文学研究資料館</dc:publisher>
          <datacite:date dateType="Issued">2018-03-28</datacite:date>
          <dc:language>jpn</dc:language>
          <dc:type rdf:resource="http://purl.org/coar/resource_type/c_5794">conference paper</dc:type>
          <jpcoar:identifier identifierType="DOI">https://doi.org/10.24619/00003706</jpcoar:identifier>
          <jpcoar:identifier identifierType="URI">https://kokubunken.repo.nii.ac.jp/records/3719</jpcoar:identifier>
          <jpcoar:identifierRegistration identifierType="JaLC">10.24619/00003706</jpcoar:identifierRegistration>
          <jpcoar:sourceIdentifier identifierType="ISSN">0387-7280</jpcoar:sourceIdentifier>
          <jpcoar:sourceTitle>第４１回　国際日本文学研究集会会議録</jpcoar:sourceTitle>
          <jpcoar:sourceTitle xml:lang="en">PROCEEDINGS OF THE 41st INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE</jpcoar:sourceTitle>
          <jpcoar:issue>41</jpcoar:issue>
          <jpcoar:pageStart>19</jpcoar:pageStart>
          <jpcoar:pageEnd>26</jpcoar:pageEnd>
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            <jpcoar:URI label="中上健次「浄徳寺ツアー」における〈語り〉の試み　――〈語り物〉文芸の受容と、老婆の〈語り〉――">https://kokubunken.repo.nii.ac.jp/record/3719/files/I4102.pdf</jpcoar:URI>
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            <datacite:date dateType="Available">2018-11-26</datacite:date>
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