@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002002,
 author = {キーン, ドナルド and KEENE, Donald},
 book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {1},
 month = {Feb},
 note = {pdf, Many Japanese writers of both poetry and prose were attracted by the new literary techniques that came into prominence in Europe after the First World War. At first these “modernist” writers learned only haphazardly (usually through translations) of new developments, but by the early 1930s there were Japanese students of Joyce, Proust and other modern writers who attempted to bring Japanese literature into what had become the mainstream of world literature. On the whole, these experiments were failures, and the best works by their respective authors were in more traditional styles, but the experience with modernism enriched not only these authors but those of the postwar era. Of the many modernist writers who might be considered, I have chosen four as being representative of different aspects of the movement: Satō Haruo, Yokomitsu Riichi, Itō Sei and Hori Tatsuo. The place of modernism in their works is the subject of my paper.},
 pages = {16--25},
 publisher = {国文学研究資料館},
 title = {特別講演　日本におけるモダニズム作家について},
 year = {1978},
 yomi = {キーン, ドナルド}
}