@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002010,
 author = {粂川, 光樹 and KUMEKAWA, Mitsuki},
 book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {2},
 month = {Feb},
 note = {pdf, In the late 1960s some noteworthy works appeared in connection with the problem of “time”within ancient Japanese literature. Among the subjects of those works were: Concept of circulated time and lineal time; Development of the awareness of nothingness; Distinction between sacred and secular; Meaning of the neutral zone between night and day; Mode of reminiscence; and so forth.
This brief report consists of three parts. In Part One, I examine the background by which those new aspects emerged, and introduce some achievements by Nobutsuna Saigo, Katsumi Masuda, Masao Maruyama, Jinkei Hirano and Yasushi Nagafuji.
In Part Two, I turn my attention to the “time” in Kojiki and Nihonshoki, and see how they treated the “once-only“ happenings in the story to trace the origin of the lyricism flavoured by the sense of “time” of such Manyōshū poets as Hitomaro, Tabito or Yakamochi.
In Part Three, I study why the place known as Yoshino had been connected to the concept of eternity and became a sort of sanctuary in the ancient literary works. Religion, weather, products, power of tribes, political situations etc. must be taken into account besides the influence of Chinese literature.},
 pages = {9--22},
 publisher = {国文学研究資料館},
 title = {研究発表　上代日本文学の時間的研究・序説},
 year = {1979},
 yomi = {クメカワ, ミツキ}
}