@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002031,
 author = {クリステワ, ツベタナ and KRISTEVA, Tsvetana},
 book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {4},
 month = {Feb},
 note = {pdf, The subject of my paper is the study of two of the most famous lyrical diaries of the Heian period and the Kamakura period; that is ,“Kagerō-nikki” and “Towazu-gatari”. The first of them covers 21 years of the life of the author, Michitsuna-no haha, and the latter 37 years of the life of the author, Lady Nijō. Therefore, they can be considered as representative works of the genre “nikki-bungaku”－ as personal and retrospective literature. First, I am dealing with the characteristics of these two diaries as personal literature, stressing the psychological stimulus which lead the authors to write their diaries, as seen in the two works themselves.
Then, I proceed with undertaking the problem of time as revealed in these two diaries. On the one hand, there is the frame of natural, objective time, and on the other, the flow of the subjective time of the authors ―first as a main character of the work (protagonist), and then as an author (narrator). The two basic elements of the subjective time in the lyrical diaries could be defined as personal time or the time of experience, and recollected time or the time of retrospection. As the work proceeds towards its end, the positions of the author as a narrator and as a protagonist tend to unify, and so do the time of experience and the time of retrospection.
At the end, I outline the main subjects of my future study of time in the lyrical diaries in an attempt to finally formulate the temporal characteristics of “nikki-bungaku” as a genre.},
 pages = {34--42},
 publisher = {国文学研究資料館},
 title = {研究発表 『蜻蛉日記』と『とはずがたり』との考察},
 year = {1981},
 yomi = {クリステワ, ツベタナ}
}