@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002129,
 author = {楊, 永良 and YANG, Yung Liang},
 book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {12},
 month = {Mar},
 note = {pdf, Japanese traditional esthetic views of "nature"were formed during the age of the Manyôshû. Nature as represented in the songs of the Nihonshoki and the Kojiki differs clearly from nature as it appears in the Manyôshû.
Chinese classical esthetics had a role in the formation of the Japanese esthetic of nature. Two effects of this are apparent in the terms "hitoku" and "chôshin."
The former of these is exemplified in a phrase attributed to Confucius, "The wise take pleasure in water ; the kind , in mountains."What is involved here is the esthetically motivated analogy between some feature of a natural phenomenon and a specific human virtue. The phrase in question here is cited in condensed form in a poem by Otomo Ikenushi, and appears transformed in another poem by Kose no Tayasu.
The spirit of "chôshin "("expansiveness") is characteristic of the Six Dynasties age and refers to a mindful enjoyment of nature. The term may be found in poems by Wang Xi-zhi and Sung Bing, for example, and reappears, transformed, in poems by Otomo Yakamochi and Fujiwara no Mari.},
 pages = {13--26},
 publisher = {国文学研究資料館},
 title = {研究発表　中世古典美学と日本民族自然美観の形成},
 year = {1989},
 yomi = {ヨウ, エイリョウ}
}