{"created":"2023-05-15T14:49:59.294455+00:00","id":2138,"links":{},"metadata":{"_buckets":{"deposit":"6265f9a4-5358-488d-9428-cad58729b8c6"},"_deposit":{"created_by":3,"id":"2138","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2138"},"status":"published"},"_oai":{"id":"oai:kokubunken.repo.nii.ac.jp:00002138","sets":["6:249"]},"author_link":["24793","24794"],"item_10003_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1989-03-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"12","bibliographicPageEnd":"156","bibliographicPageStart":"130","bibliographic_titles":[{"bibliographic_title":"国際日本文学研究集会会議録"},{"bibliographic_title":"PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE","bibliographic_titleLang":"en"}]}]},"item_10003_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"pdf","subitem_description_type":"Other"}]},"item_10003_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"In early Indian mythology hosts of demon-like beings called asura constantly emerge from the depths of the sea to do battle with the god-like deva residing on the slopes of Mt. Sumeru. On the medieval Japanese noh stage the lonely ghost of a young, noble warrior dances out the landscape of the asura realm. These two images are radically different not only in their form, but in terms of the underlying concepts they represent. This talk describes some of the characteristics of the asura as the concept developed in both the Vedic-Hindu and the Buddhist traditions and then suggests ways in which these ideas and images where adapted into Japanese culture.\nThe asura, who may have originally been the human opponents of the Aryan race as they crossed over the Indian subcontinent, were transformed in Vedic times into cosmic beings whose role was to oppose the deva. These two classes of beings constantly battled, and in later Hindu and Buddhist texts the battles came to represent the theory of kaplic cycles the asura become ascendant as the destruction of the world intensifies. Particular battles between asura and deva continued to be described in early Buddhist texts, where they were used as parables to explain aspects of Buddhist doctrine or practice. However, the major function of the asura was opposition to the Hindu deities, and in Buddhism that function was fulfilled by Mara. Consequently Buddhism finds a new function for the asura: it converts them and makes them into protectors of the faith. In Buddhism the asura homelands were also transformed from beautiful citadels under the sea into one of the realms to which reborn human spirits transmigrate.\nThe asura eventually found a home in Japanese culture. Sculptures depicted asura as the protectors of Buddhism: setsuwa described them as figures of opposition: painting, etoki, and pure land Buddhist tracts developed the idea of the shura realm of transmigration. And gradually the asura took on more Japanese identities. They joined the ranks of tengu and other oni to interfere in the course of Japanese history, and they became identified with angry spirits who needed to be pacified. The asura realm became a specialized place for the spirits of dead warriors to suffer in battle until they finally achieved enlightenment. Hence, the image of the cosmic asura was transformed into the figure of the medieval warrior, and the asura battles, which originally functioned as a symbol of opposition, were metamorphosed into a symbol of the warrior's world of samsara. External, impersonal battles between two classes of cosmic beings became the very personal, internal struggles of an individual attempting to realize enlightenment.","subitem_description_type":"Abstract"}]},"item_10003_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24619/00002134","subitem_identifier_reg_type":"JaLC"}]},"item_10003_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国文学研究資料館"}]},"item_10003_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0387-7280","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Brazell, Karen"},{"creatorName":"ブラゼル, カレン","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"24793","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"BRAZELL, Karen","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"24794","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-09-10"}],"displaytype":"detail","filename":"I1210.pdf","filesize":[{"value":"19.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"公開講演　阿修羅の変容　―須弥山の海から日本の舞台まで―","url":"https://kokubunken.repo.nii.ac.jp/record/2138/files/I1210.pdf"},"version_id":"3d5f2f6d-6315-4eba-beb4-d4efa577961e"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"conference paper","resourceuri":"http://purl.org/coar/resource_type/c_5794"}]},"item_title":"公開講演　阿修羅の変容　―須弥山の海から日本の舞台まで―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"公開講演　阿修羅の変容　―須弥山の海から日本の舞台まで―"},{"subitem_title":"The Transformation of the Asura : From the Seas near Mt. Sumeru to the Japanese Noh Stage","subitem_title_language":"en"}]},"item_type_id":"10003","owner":"3","path":["249"],"pubdate":{"attribute_name":"公開日","attribute_value":"2016-09-02"},"publish_date":"2016-09-02","publish_status":"0","recid":"2138","relation_version_is_last":true,"title":["公開講演　阿修羅の変容　―須弥山の海から日本の舞台まで―"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-15T15:37:45.508529+00:00"}