@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002599,
 author = {今西, 祐一郎 and IMANISHI, Yuichiro},
 book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {21},
 month = {Oct},
 note = {pdf, When the genre known as monogatari first appeared in Japanese literary history during the Heian period, there were already works that incorporated illustrations, a format which had been borrowed from picture books (ehon) and picture scrolls (emak1). We can be certain of their existence from such evidence as the Eawase no maki chapter of the Genji Monogatari.
Portions of the superb picture scrolls for the Genji Monogatari (late Heian period) and the Ise Monogatari (late Kamakura Period) are still extant today. In addition, during the later Muromachi and Edo periods, a vast amount of so-called Genji-e and Ise Monogatari-e pictures were produced.
During the history of the production of the Genji-e and Ise Monogatari-e they acquired a set traditional form of composition, and came to be painted using various fixed patterns. It is possible to identify several instances where these traditional forms of composition and fixed patterns do not coincide with the contents of the text of the monogatari. Why did these discrepancies arise? During my presentation, I plan to explore the reasons using several examples.},
 pages = {145--163},
 publisher = {国文学研究資料館},
 title = {公開講演　本文・注釈・絵},
 year = {1998},
 yomi = {イマニシ, ユウイチロウ}
}