@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002636,
 author = {鈴木, 淳 and SUZUKI, Jun},
 book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {24},
 month = {Mar},
 note = {pdf, Takao-dayû, the original work of ukiyo-e in Freer Gallery of Art, is a picture of Takao-dayû drawn by Okumura Masanobu with a comment written by Hanaogi, the famous yûjo of Ôgiya in Yoshiwara imitating the Sawada Tôkô-style calligraphy. The content of the comments is a love letter including a hokku “Kimi ha ima komagata atari hototogisu” that is said Manji Takao, or Takao-dayû the Second of Miuraya sent to Date Tsunamune of the Sendai Clan. This letter was probably made up based on the legend of the love affair between them described in the documentary-like novel Sendai Hagi. Whether the story is true or not, the romantic atmosphere of Yoshiwara is promoted by the comments reminding readers Takao and Hanaôgi, and behind the comment of Hanaôgi, you can sense the attempt by Ôgiya Uemon or Bokuga, who was the employer of Hanôgi, to make her more famous together with Takigawa, who was also a famous yûjo, in the Tenmei period.},
 pages = {85--103},
 publisher = {国文学研究資料館},
 title = {研究発表　人物画の世界　フリーア美術館所蔵高尾太夫図について},
 year = {2001},
 yomi = {スズキ, ジュン}
}