@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002679,
 author = {Mostow, Joshua S and MOSTOW, Joshua S},
 book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {27},
 month = {Mar},
 note = {pdf, The tenth century Tales of Ise (Ise monogatari) has been illustrated and pictorialized since at least the eleventh century. Already by the thirteenth century there seems to be an growing consensus about which scenes from the Ise were appropriate for illustration, and a kind of standard iconography seems to emerge towards the end of the Muromachi period. The first half of the seventeenth century sees the establishment of the Saga-bon illustrations as dominant, while at the same time what would eventually be called "Rinpa" starts its centuries―long involvement with illustrating the Ise. Throughout the remainder of the Edo period, the preponderance of the Saga-bon iconography paradoxically allowed for differing interpretations of the text to be conveyed through seemingly minor visual changes, while at the same time encouraging an explosion of parodies and visual allusions. My talk will trace the history of Ise illustration, exploring the changes wrought by readerships that differed through time by gender and by class. Finally, I will pay particular attention to the creation of Ise-e for political purposes, whether it be the support of one branch of the imperial family over the other, the favoring of one son over another in a wealthy merchant household, or the creation of models of patriotism for a new nation-state.},
 pages = {1--20},
 publisher = {国文学研究資料館},
 title = {講演　伊勢物語絵　―創造的な模倣と政治的な盗用―},
 year = {2004},
 yomi = {モストウ, ジョシュア}
}