@inproceedings{oai:kokubunken.repo.nii.ac.jp:00002923, author = {林, 淑丹 and LIN, Shudan}, book = {国際日本文学研究集会会議録, PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE}, issue = {35}, month = {Mar}, note = {pdf, The novel ‘Ga-bijin’ written by Shibusawa Tatsuhiko (1928-1987) appeared in the ‘Bungei’ in May 1983 and was featured in ‘Nemuri-hime’ (Kawade Shobō Shinsha) later. It based on the story ‘Ga-bijin’ which is mentioned in the collected mystery novels of the Meiji era ‘Yasōkidan’ (Ishikawa Kōsai, Tōyōdō, 1889-1894). In the story, a beautiful woman appears from a picture which the protagonist Shichirō cherishes and has an affair with him. In fact the woman’s true character is the incarnation of a bird and when Shichirō finds it, she disappears. Compared with the original, Shibusawa created a fantastic, decadent and voluptuous world of lust. How did he refer to or change the original with regard to plot development and the characters? With the object of examining intertextuality of ‘Gabijin’, I will consider the other texts which Shibusawa might have referred to. In addition to this study, I am going to examine the image of the beautiful woman in the story. The story of Shichirō and the beautiful woman takes place in a single closed room. The affair between a human being and a bird embodies a typical tale of a marriage between different kind species. Most of the characters in such tales show their true figures (such as a crane, a snake, a fish and the like) and disappear when they are unmasked. In the case of ‘Ga-bijin’, however, the beautiful woman does not return to a bird figure and is drawn in the hanging picture like a ball and then goes out of sight. As her name ‘Sui Sui’ suggests, the beautiful woman flies from afar to Shichirō like a happy blue bird but the story has a tragic ending. I would like to investigate Shibusawa's original narrative world by examining the transformation in ‘Ga-bijin’.}, pages = {79--86}, publisher = {国文学研究資料館}, title = {研究発表 青い鳥の哀歌 ―澁澤龍彦『画美人』論―}, year = {2012}, yomi = {リン, シュクタン} }