{"created":"2023-05-15T14:50:27.405062+00:00","id":3314,"links":{},"metadata":{"_buckets":{"deposit":"97168314-6513-4d2e-8cba-0f963deec11b"},"_deposit":{"created_by":3,"id":"3314","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"3314"},"status":"published"},"_oai":{"id":"oai:kokubunken.repo.nii.ac.jp:00003314","sets":["6:291"]},"author_link":["25552","25551"],"item_10003_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-24","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"40","bibliographicPageEnd":"83","bibliographicPageStart":"92","bibliographic_titles":[{"bibliographic_title":"国際日本文学研究集会会議録"},{"bibliographic_title":"PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE","bibliographic_titleLang":"en"}]}]},"item_10003_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"pdf","subitem_description_type":"Other"}]},"item_10003_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"It is very well known that urban spatialities play a crucial role in Nagai Kafū’s oeuvre. As scholarship both inside and outside Japan has demonstrated, the world described by Kafū is first and foremost an urban world. Urban space, in his work, does not only encapsulate manyfold and deep meaning, but helps clarify important themes related to the broader one of “modernity”, such as “self”, “society”, and “identity”.\nFurther, the significance of sound ― especially music ― in his literature has been thoroughly discussed, showing to what extent this author valued music and incorporated it in his writing, from the juvenile years he spent abroad through his most representative novel ― A Strange Tale from East of the River （1937）.\nThis paper draws on the “Soundscape” theory formulated by R. Murray Schafer and others in order to analyze the form and function of urban sounds in Kafū’s representation of Tokyo in the fast-changing context of early-Shōwa Japan.\nIn particular, it focuses on the soundscapes described in “The Voice of the Bell”, “The Ditch” and “Notes from Terajima”（1936） with the aim of discussing his literary influences and the relationship of these zuihitsu with A Strange Tale, and to gauge the impact of modern urban transformations on Kafū’s writing.","subitem_description_type":"Abstract"}]},"item_10003_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24619/00003310","subitem_identifier_reg_type":"JaLC"}]},"item_10003_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国文学研究資料館"}]},"item_10003_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0387-7280","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"フォッラコ・, ガラ・マリア"},{"creatorName":"フォッラコ・, ガラ・マリア","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"25551","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"FOLLACO, Gala Maria","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"25552","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-09-10"}],"displaytype":"detail","filename":"I4005.pdf","filesize":[{"value":"357.2 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"研究発表　永井荷風が描いたサウンドスケープ　――昭和初期の作品における音の図象性――","url":"https://kokubunken.repo.nii.ac.jp/record/3314/files/I4005.pdf"},"version_id":"1ecc820a-69e8-444c-83f0-08f5521f7e57"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"永井荷風","subitem_subject_scheme":"Other"},{"subitem_subject":"サウンドスケープ","subitem_subject_scheme":"Other"},{"subitem_subject":"音風景","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"conference paper","resourceuri":"http://purl.org/coar/resource_type/c_5794"}]},"item_title":"研究発表　永井荷風が描いたサウンドスケープ　――昭和初期の作品における音の図象性――","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"研究発表　永井荷風が描いたサウンドスケープ　――昭和初期の作品における音の図象性――"},{"subitem_title":"Nagai Kafū's Soundscapes ――An Iconology of Sound in his early-Shōwa Writings――","subitem_title_language":"en"}]},"item_type_id":"10003","owner":"3","path":["291"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-07-18"},"publish_date":"2017-07-18","publish_status":"0","recid":"3314","relation_version_is_last":true,"title":["研究発表　永井荷風が描いたサウンドスケープ　――昭和初期の作品における音の図象性――"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-15T15:23:14.720819+00:00"}