{"created":"2023-05-15T14:48:33.464217+00:00","id":355,"links":{},"metadata":{"_buckets":{"deposit":"dbd5b17d-e6ff-4c82-8a91-4bc9f68a43d3"},"_deposit":{"created_by":3,"id":"355","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"355"},"status":"published"},"_oai":{"id":"oai:kokubunken.repo.nii.ac.jp:00000355","sets":["1:372:373:56"]},"author_link":["18179","18180"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1979-03-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"05","bibliographicPageEnd":"37","bibliographicPageStart":"1","bibliographic_titles":[{"bibliographic_title":"国文学研究資料館紀要"},{"bibliographic_title":"The Bulletin of The National Institute of Japanese Literature","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"『堤中納言物語』の諸篇が、その相貌をみせるまでに、多くの曲折があった。本稿は、曲折の一つを、作品冒頭の形成過程にみた。〈語り〉の構造をうけつつ、〈書くこと〉により、集団から個的な所に、〈時間〉を奪回していく過程としてである。『竹取物語』からの問い起こし、そして、短篇物語『ほどほどの懸想』『逢坂越えぬ権中納言』の冒頭を経て、『このついで』の形成に、『台記』が関わることへと続く。『このついで』に於て、〈ながめ〉が古代心性なる神話とも通底することをみた。その、物語が普遍的な形で現前する部分に、〈時間〉の問題を収束させていった。一般的レベルでの〈時間〉と、趣を異にする結果となったが、その、詩の世界にも関わる所への踏み込みが、文学作品の〈時間〉を明らかにする糸口、と思ったからである。（一）、（二）の部分は、ノート的なものである。（三）、（四）、そして（五）の始めが、短篇物語の考察となっている。問題の輪郭を、半分は画いたと思う。\n\n There was much winding before volumes of “Tsutsumi Chunagon Monogatari（堤中納言物語）showed its features. This article finds one of the winding in the formation process of the beginning of the work as the process to recapture “Time” from a group to an individual place by “writing” while receiving the structure of “narration”. Asking question from “Taketorimonogatari” (竹取物語), after the beginning of a short story “Hodohodono keso”（ほどほどの懸想）,“Ousakakoenu Gon Chunagon”（逢坂越えぬ権中納言）, it follows that ”Taiki”（台記）affects the formation of “Konotsuide”（このついで）. In “Konotsuide”, it was seen that “View” is common to the myth of ancient nature of mind. An issue of “Time” had been settled on the part which appear in universal form. Although it was different from “Time” at the general level as a result, stepping forward to the place related to the world of the poetry is a lead to clarify “Time” of the literary work. (Ⅰ) and (Ⅱ) are commentaries. The beginning of (Ⅲ),(Ⅳ),(Ⅴ)　are consideration of the short story. Half of the outline of the issue was drawn.","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国文学研究資料館"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0387-3447","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"阿部, 好臣"},{"creatorName":"アベ, ヨシトミ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"ABE, Yoshitomi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"短篇物語の時間・序説 ―『このついで』をめぐって―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"短篇物語の時間・序説 ―『このついで』をめぐって―"},{"subitem_title":"A View of the Time in Short Stories in Heian Period","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["56"],"pubdate":{"attribute_name":"公開日","attribute_value":"2014-10-28"},"publish_date":"2014-10-28","publish_status":"0","recid":"355","relation_version_is_last":true,"title":["短篇物語の時間・序説 ―『このついで』をめぐって―"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-16T04:28:57.109318+00:00"}