{"created":"2023-05-15T14:50:41.723308+00:00","id":3984,"links":{},"metadata":{"_buckets":{"deposit":"5140a532-ab25-4de4-833c-865d72a3f6f5"},"_deposit":{"created_by":3,"id":"3984","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"3984"},"status":"published"},"_oai":{"id":"oai:kokubunken.repo.nii.ac.jp:00003984","sets":["6:227"]},"author_link":["26890","26891"],"item_10003_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1987-03-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"10","bibliographicPageEnd":"233","bibliographicPageStart":"217","bibliographic_titles":[{"bibliographic_title":"国際日本文学研究集会会議録"},{"bibliographic_title":"PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE","bibliographic_titleLang":"en"}]}]},"item_10003_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"pdf","subitem_description_type":"Other"}]},"item_10003_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"It has often been pointed out that one of the characteristics of haiku as a verse form lies in its \"open ending\" an ambiguous ending that leaves a great deal unsaid. To some extent, the same may be said of Japanese literature in general. Many literary works that have come out of Japan seem to provide no firm sense of conclusion. The most obvious example is the work of Kawabata Yasunari, who once said his novels \"can be cut off at any point\". A story by Kawabata normally ends so inconclusively that the reader is never sure whether it has actually ended.\nIn sharp contrast, the Western literary tradition has always valued a work with a logically constructed plot that produces the sense of a beginning, a middle, and an end. After James Joyce and Marcel Proust, however, some major Western authors began to depart from that convention, and this has given rise to a number of studies on the implications of literary closure. Those studies, varied as they are in emphasis and methodology, concur in the belief that the form of a literary ending is closely related to the author's way of comprehending raw reality and giving a meaning to it.\nThe sense of an ending in Japanese literature is also tied to each author's outlook on life as well as to the philosophical, religious and cultural elements that formed the basis of Japanese life at his time. It is derived from a combination of many complex factors, a study of which is beyond the scope of this paper. What I have tried to do in the following pages is to single out the endings of four major modern novels-Hayashi Fumiko's Hôrô-ki , Nagai Kafû's Bokutô kitan, Natsume Sôseki's Wagahai wa neko de aru, and Kawabata's Senbazuru-and see how each mode is related to the past tradition of Japanese literature. The novel as a literary form originated in the West; but a Japanese novel, insomuch as its writer is a Japanese, still shows some characteristics of the native literary tradition, including the way in which it ends.","subitem_description_type":"Abstract"}]},"item_10003_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24619/00003966","subitem_identifier_reg_type":"JaLC"}]},"item_10003_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国文学研究資料館"}]},"item_10003_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0387-7280","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"上田, 真"},{"creatorName":"ウエダ, マコト","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"26890","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"UEDA, Makoto","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"26891","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-09-30"}],"displaytype":"detail","filename":"I1014.pdf","filesize":[{"value":"12.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"公開講演　日本文学における「終わり」の感覚","url":"https://kokubunken.repo.nii.ac.jp/record/3984/files/I1014.pdf"},"version_id":"e2f615e3-830a-474f-ad09-c45164ec0f41"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"conference paper","resourceuri":"http://purl.org/coar/resource_type/c_5794"}]},"item_title":"公開講演　日本文学における「終わり」の感覚","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"公開講演　日本文学における「終わり」の感覚"},{"subitem_title":"The Sense of an Ending in Japanese Literature","subitem_title_language":"en"}]},"item_type_id":"10003","owner":"3","path":["227"],"pubdate":{"attribute_name":"公開日","attribute_value":"2016-08-05"},"publish_date":"2016-08-05","publish_status":"0","recid":"3984","relation_version_is_last":true,"title":["公開講演　日本文学における「終わり」の感覚"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-15T15:38:47.961390+00:00"}