@inproceedings{oai:kokubunken.repo.nii.ac.jp:00004032,
 author = {中川, 成美 and NAKAGAWA, Shigemi},
 book = {第４２回　国際日本文学研究集会会議録, PROCEEDINGS OF THE 42nd INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE},
 issue = {42},
 month = {Mar},
 note = {pdf, It goes without saying that war and literature have deep relationships. Without drawing Kojiki or Iliad - Odysseia, literature has depicted various aspects of complex and human emotions arising from war by the beginning. The extraordinary moment of the war that destroys the everyday life and promptly leads to a heterogeneous space has confused and tormented people who tried various measures to live among them. It would have been the saddest moment of life to look at and rethink what is the human itself.
However, what has been stated as a representation of cruelty and violence beyond human knowledge, brought about by the use of mass the murder weapons that the modern science developed after the modern era, is probably something never experienced before in the all human history. People were forced to experience an unprecedented and overwhelming power that can be no longer stopped by the human power. 
In this presentation, I will present how modern Japan, which takes a full participation in the world from the mid-nineteenth century, describe in its literature the war which, fundamentally, is intimately relied and even include in the nation state. I would like to think about the possibility for the literature to pursuing the difficult problem of cutting this link as to be able to avoid the war. I also want to pay attention to the fact that the attempts made by the Japanese literature were not only endeavors made by national literature, but echoed similar questions in World literature. This constitute a stronk link between Japanese modern literature and the World literature.},
 pages = {121--135},
 publisher = {人間文化研究機構　国文学研究資料館},
 title = {シンポジウム「いくさの表象」　戦争と文学――表象としての深い絆――},
 year = {2019},
 yomi = {ナカガワ, シゲミ and ナカガワ, シゲミ}
}