@article{oai:kokubunken.repo.nii.ac.jp:00000449,
 author = {小峯, 和明 and KOMINE, Kazuaki},
 issue = {16},
 journal = {国文学研究資料館紀要, The Bulletin of TheNational Institute of Japanese Literature},
 month = {Mar},
 note = {宇治拾遺物語と<猿楽>論の延長として、<もどき>の面から話型・伝承・語戯・構成等々、多角的に考察。「隣の爺型」の変奏や「ひっくりかえるもの」という、権威や常識をくつがえす表現のイメージや構造に着目、<もどき>文芸や芸能の季節たる中世への定位をめざし、説話集の多くが<実語>指向をもちつつ、説話の<妄語>性にからめとられ、分極していくのに反し、<実語>指向そのものを相対化し、ずらしていく独特の位相をとらえてみた。

 As extension of theories of “Ujishuimonogatari”（宇治拾遺物語）and “Sarugaku”（猿楽）, multilateral considerations such as type, local core, gogi (word game) , the constitution were given from “Modoki” (imitation) angle. An image and structure of the expression to overturn authority and commonsense, such as a variation of “Tonarino Jiji Style”（隣の爺型）and “things to be overturned” were attracted attention. While aiming to localize at the middle ages when the “Modoki” literature and performing arts reached its peak, many of collection of tales that have “Jitsugo” oriented were polarized by being caught in webs of “Lying” in setsuwa, on the contrary, the unique phase that “Jitsugo” oriented itself was relativized and shifted was apprehended.},
 pages = {21--50},
 title = {宇治拾遺物語論 ―<もどき>の文芸},
 year = {1990},
 yomi = {コミネ, カズアキ}
}