@article{oai:kokubunken.repo.nii.ac.jp:00000495,
 author = {小峯, 和明 and KOMINE, Kazuaki},
 issue = {19},
 journal = {国文学研究資料館紀要, The Bulletin of The National Institute of Japanese Literature},
 month = {Mar},
 note = {近世に作られた宇治拾遺物語絵巻をめぐって、質量ともにすぐれた陽明文庫本・チェスタービーティ図書館本・国会図書館本の三点を中心に、諸本の様相、物語の選択と配列、絵画化の方法等々、総合的に考察した。ことに狩野探幽兄弟の手になる陽明文庫本の絵が国会図書館本と合致し、しかも両本は直接の関係になく、共通祖本が中世にさかのぼる可能性があることを指摘。『宇治拾遺物語』を解体し、独自の物語の流れを絵画とともに再編成した絵巻テキストの意義にふれ、近世における享受史の一端をとらえてみた。

 Regarding “Ujishuuimonogatariemaki”（宇治拾遺物語絵巻） which was made in the modern age, mainly Yomei bunko bon, book of Chester Beatty Library, Book of National Diet Library which both quality and quantity were excellent, aspect of books, selection and layout of the story, method of the pictorialization were considered comprehensively. Especially a picture of Yomei bunko bon painted by the Brothers Tanyu matched with a book of National Diet Library, moreover, both of them were unrelated to each other and it was pointed that there is possibility that common sohon (an original books for popular edition) dates back to the Middle Ages. “Ujishuuimonogatari”（宇治拾遺物語） was disassembled, the meaning of emaki text which was reorganized the custom flow of the story with paintings was mentioned. One end of the history of acceptance in the early modern times was considered.},
 pages = {153--183},
 title = {宇治拾遺物語絵巻をめぐって},
 year = {1993},
 yomi = {コミネ, カズアキ}
}