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研究発表 室町時代の能の構造解析―その積層性と多様性を中心にして―
https://doi.org/10.24619/00004049
https://doi.org/10.24619/00004049e86d145d-85bd-4e88-ac83-aa04192eb029
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 室町時代の能の構造解析―その積層性と多様性を中心にして― (925.6 kB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2020-05-19 | |||||||||
| タイトル | ||||||||||
| タイトル | 研究発表 室町時代の能の構造解析―その積層性と多様性を中心にして― | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Structural Analysis of Noh in the Muromachi Period: Focusing on its Multilayeredness and Diversity | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 能作論 | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 間テクスト性 | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 金春禅竹 | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||||||
| 資源タイプ | conference paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.24619/00004049 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 著者 |
BUGNE, Magali
× BUGNE, Magali
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| 著者（英） | ||||||||||
| 姓名 | BUGNE, Magali | |||||||||
| 言語 | en | |||||||||
| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Noh is often composed of a variety of texts, such as quotations taken from literacy sources, waka insertions or even parts of Buddhist scriptures. While the complex intertextuality in the lyrics of a noh play shows the diversity of the medieval literary world, it may also render the meaning of the lyrics unintelligible. Zeami was the first medieval actor to discuss the complex structure of a noh play. Some of this teaching was passed down through secret treatises to his son-inlaw, Konparu Zenchiku （1405－1470?）, during the Muromachi era. While Zenchiku inherited the fukushiki-nô （noh in two parts） created by Zeami―a style of play that distances itself from the realistic timeline commonly used in dialogue-centric theater in the early 14th century―he didn’t consider the physical theory of Zeami’s art. In addition, diverging from the literary norms established by Zeami, Zenchiku created plays that are often evaluated as ambiguous due to the fact that the texts inserted into them appear to have been quoted out of context. How did Zenchiku receive and adapt Zeami’s teachings? How did the transition from imitation of the master’s thoughts to the process of art creation happen in noh theater during the Muromachi era? In order to solve this problem, this presentation considers the multiplicity and diversity of medieval playwrights through the concept of “intertextuality”. More specifically, we will analyze the interrelationships （citations, metaphors, waka insertions, rewritings, etc.） between the playwrights Zeami and Zenchiku. By doing this we hope to look through a new lens at Zenchiku’s work. | |||||||||
| 言語 | en | |||||||||
| bibliographic_information |
ja : 第43回 国際日本文学研究集会会議録 en : PROCEEDINGS OF THE 43rd INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 43, p. 33-44, 発行日 2020-03-26 |
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| 出版者 | ||||||||||
| 出版者 | 人間文化研究機構 国文学研究資料館 | |||||||||
| 言語 | ja | |||||||||
| item_10003_source_id_9 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 0387-7280 | |||||||||
| フォーマット | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | ||||||||||
