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特別講演 俳諧に現れた「日常」の美学とその特性 ――日韓の詩歌比較の観点から――
https://doi.org/10.24619/00003306
https://doi.org/10.24619/00003306cc818863-b272-434c-bed4-ea2ff1d3ca52
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
特別講演 俳諧に現れた「日常」の美学とその特性 ――日韓の詩歌比較の観点から―― (485.8 kB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-07-18 | |||||
| タイトル | ||||||
| タイトル | 特別講演 俳諧に現れた「日常」の美学とその特性 ――日韓の詩歌比較の観点から―― | |||||
| タイトル | ||||||
| タイトル | The Aesthetics of Daily Life and its Charasteristics in Haikai ――Comparative Reading of Korean and Japanese Poems―― | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 日常 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 俳諧 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 比較詩学 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00003306 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
兪, 玉姫
× 兪, 玉姫× YOU, Ok Hee |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | I began to study haikai focusing on Matsuo Basho during my graduate courses in Japan. After returning to Korea, I have been concerned with the characteristics of waka and haikai in terms of comparative research with Korean sijo. From the comparative readings I have focused on the contrast between ‘the aesthetics of the moment’ symbolized by words such as ‘hikarakuyo（飛花落葉）’ and immutability symbolized by ‘mangosangchung（萬古常靑）’. In recent years, I have come to pay more attentions to ‘daily life’ than on ‘natural objects’ in the poems. Haikai poets of Edo era wrote poems about the daily life which reflects the flow of the seasons. I have analyzed especially the poems of Buson who depicted daily life of various people like pictures in Buson’s Haikai and the Aesthetics of Life. The book includes readings of Buson’s nineteen poems about narezushi, the daily food of Kansai. In “Stillness / In the summer day / Narezushi has been fermented”, the sense of sushi being fermented is in harmony with the sense of a summer day. Unlike Buson, Basho who spent his lifetime in wandering, wrote “Winter Chrysanthemum / Put on the rice bran / Beside a large mortar” that captures common people’s daily life by combining a chrysanthemum with the labor of pounding rice. He also longed for an ordinary life, which can be found in his poems like “I saw / Ordinary lives’ cleaning in a new year's eve / While sleeping in travel”. Many season words derived from human affairs have been found in Haikai Tsuzokushi （俳諧通俗誌, 1717） and have vastly increased until today. In the case of Korean sijo, there have been not many poems which describe daily life of common people, because most sijo writers were Confucians. However, some Confucians who fled from the turmoil of politics depicted daily lives in the countryside, or by the river and sea. For example, Shin Gye-young （辛啟榮）’s “Four Seasons’ Song of Countryside”, Lee Hui-il （李徽逸）’s “Eight Pastoral Poems”, and Yun Sun-do（尹善道）’s “Four Seasons’ Song of a Fisherman” are composed from the writers’ pleasure of rural and seaside experience. These poems have significant meaning in dealing with ‘human activities adapted to the four seasons’. But the poets, as Confucians, emphasize that their amusement of daily life comes from the kings’ grace. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 40, p. 1-14, 発行日 2017-03-24 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
