|
インデックス |
|
Permalink : http://doi.org/10.24619/00002632
研究発表 人物画の世界 フリーア美術館所蔵高尾太夫図について
利用統計を見る
| File / Name | License |
|---|---|
| 研究発表 人物画の世界 フリーア美術館所蔵高尾太夫図について |
.png)
Creative Commons : 表示 - 非営利 - 改変禁止 |
研究発表 人物画の世界 フリーア美術館所蔵高尾太夫図について
(15.11MB)
|
 |
 |
 |
 |
 |
| JaLC DOI | info:doi/10.24619/00002632 |
|---|---|
| アイテムタイプ | 会議発表論文 / Conference Paper |
| 言語 | 日本語 |
| 著者 |
鈴木 淳
/ スズキ ジュン
|
| 抄録 |
Takao-dayû, the original work of ukiyo-e in Freer Gallery of Art, is a picture of Takao-dayû drawn by Okumura Masanobu with a comment written by Hanaogi, the famous yûjo of Ôgiya in Yoshiwara imitating the Sawada Tôkô-style calligraphy. The content of the comments is a love letter including a hokku “Kimi ha ima komagata atari hototogisu” that is said Manji Takao, or Takao-dayû the Second of Miuraya sent to Date Tsunamune of the Sendai Clan. This letter was probably made up based on the legend of the love affair between them described in the documentary-like novel Sendai Hagi. Whether the story is true or not, the romantic atmosphere of Yoshiwara is promoted by the comments reminding readers Takao and Hanaôgi, and behind the comment of Hanaôgi, you can sense the attempt by Ôgiya Uemon or Bokuga, who was the employer of Hanôgi, to make her more famous together with Takigawa, who was also a famous yûjo, in the Tenmei period.
|
| 雑誌名 | 国際日本文学研究集会会議録 |
| 号 | 24 |
| ページ | 85 - 103 |
| 発行年 | 2001-03-01 |
| 出版者 |
国文学研究資料館
|
| ISSN |
0387-7280
|
| フォーマット |
pdf
|
過去のお知らせ
