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  1. 国際日本文学研究集会
  2. 国際日本文学研究集会会議録
  3. 第1回

研究発表 「新散文詩」について

https://doi.org/10.24619/00002003
https://doi.org/10.24619/00002003
5d453b11-7807-466c-bb42-e76dbe0c4639
名前 / ファイル ライセンス アクション
I0107.pdf 研究発表 「新散文詩」について (5.1 MB)
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Item type 会議発表論文 / Conference Paper(1)
公開日 2016-08-05
タイトル
タイトル 研究発表 「新散文詩」について
タイトル
タイトル The New Prose Poem
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_5794
資源タイプ conference paper
ID登録
ID登録 10.24619/00002003
ID登録タイプ JaLC
著者 キーン, デニス

× キーン, デニス

WEKO 18946

キーン, デニス

ja-Kana キーン, デニス

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KEENE, Dennis

× KEENE, Dennis

WEKO 18947

en KEENE, Dennis

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内容記述タイプ Abstract
内容記述 Perhaps the most difficult thing to account for in the history of modern Japanese literature is the fact that poets should have taken twenty years longer than novelists to adopt the colloquial language as their means of expression. Clearly this was conditioned by the particular awareness that Japanese writers had of the distinctions between prose and what, for want of a better word, must be called verse; and this awareness can be well seen in the literary movement of the early years of the Shōwa period known as the “New Prose Poem Movement“.
In using prose for poetic statement these writers seem to have had two principal aims in mind; a rejection of the dominant “song” tradition of Japanese poetry, and the imposition of artistic shape upon the sentimental prolixities, indeed the “prosaicisms”, of the free verse poem as written by the “Democratic School“ of poets. However, the actual result was that Japanese poetry became committed to the idea of modernistic experiment, since the use of the colloquial language with a consequent loss of a centuries' old rhythmic tradition, seemed to require constant change and be unable to create that sense of linguistic continuity which the poetic act normally implies.
書誌情報 国際日本文学研究集会会議録
en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE

号 1, p. 65-73, 発行日 1978-02-01
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出版者 国文学研究資料館
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内容記述タイプ Other
内容記述 pdf
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