WEKO3
アイテム
特別講演 美術品としての日本の書物
https://doi.org/10.24619/00002047
https://doi.org/10.24619/00002047b19103a0-b82c-45a1-9352-3f8c66aa94d4
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
特別講演 美術品としての日本の書物 (9.8 MB)
|
.png)
|
| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-08-05 | |||||
| タイトル | ||||||
| タイトル | 特別講演 美術品としての日本の書物 | |||||
| タイトル | ||||||
| タイトル | The Japanese book considered as a work art | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002047 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Kenneth, B. Gardner
× Kenneth, B. Gardner× GARDNER, Kenneth B |
|||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In Japan, as in other countries of the world, books originated as objects with a practical purpose - to convey information. In the course of time they developed into things of beauty as well as utility. Books, both handwritten and printed , came to be valued not only for their contents but also for their outward form. Paper and ink of high quality, fine calligraphy, attractive ornamentation in gold and colours, and skilful design and layout ' on the page, could all combine to make a true work of art. Manuscripts of Buddhist scriptures, ornamented with gold and silver, began to be produced in the Nara period, but the most sumptuous Buddhist manuscripts, written on coloured and patterned paper with lavish ornamentation, are those which date from the Heian and early Kamakura periods. To this age belong such masterpieces of book production as the Heike nōkyō and the Kunōji-kyō. At the same time, manuscripts of great beauty containing the earliest works of native Japanese literature were written and illuminated, including copies of the Man'yōshū, Kokinshū, Wakan rōeishū and, above all, the magnificent Nishi Honganji-bon Sanjūrokunin-shū.Decorated manuscripts written in fine calligraphy enjoyed a brilliant renaissance in the Momoyama and early Edo periods, with the achievements of master calligraphers such as Hon'ami Kōetsu and Shōkadō Shōjō. But the production of books of high aesthetic quality was not confined to manuscripts. In the field of blockprinting, also, many fine editions of Buddhist scriptures were printed in the years before the Edo period. Then, in the Keichō and Genna periods, the design and production of printed books, both blockprints and movable type prints, reached a peak of perfection with the Imperial editions （勅版） commissioned by Emperor Go-Yōzei, and the products of the Saga Press under the direction of Hon'ami Kōetsu and Suminokura Soan. Luxury books of fine quality continued to be printed throughout the Edo and Meiji periods, and are still being produced in limited editions in the 20th century. The art of book illustration from the Edo period onwards gave an added dimension to the Japanese book considered as a work of art. |
|||||
| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 6, p. 15-27, 発行日 1983-03-01 |
|||||
| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
