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公開講演 文芸としての日記 ―王朝時代の日記文学を中心にして―
https://doi.org/10.24619/00002062
https://doi.org/10.24619/00002062116359a0-09e7-4c10-ac2a-2ee0a742b4bc
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
公開講演 文芸としての日記 ―王朝時代の日記文学を中心にして― (13.1 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-08-05 | |||||
| タイトル | ||||||
| タイトル | 公開講演 文芸としての日記 ―王朝時代の日記文学を中心にして― | |||||
| タイトル | ||||||
| タイトル | The diary as literature: Heian nikki bungaku | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002062 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
McCullough, Willam Ｈ
× McCullough, Willam Ｈ× McCULLOUGH, Willam H |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The essay first attempts to clear away some of the common misconceptions about the nature of diaries (that they are nonfictional records of actual events, that they are composed serially at frequent intervals immediately after the events recorded, that their intended audience is the diarist himself, and that the narrator and the author of the diary are identical) and then defines the diary as a first-person narrative of a discontinuous series of more or less self-contained responses to the narrator's present situation and present experiences . Several qualifications to, and amplifications of, that definition are made concerning the serial structure of diaries; the strong assertion of the self achieved through the diary's characteristic temporal, spatial and personal perspectives; the distinction between public and private diaries; the typical rhetorical tone of diaries; the presence of themes in diaries; etc. The essay then turns to the Heian diary, first pointing out its characteristic mode of self- assertion and view of the self , and then discussing two representative examples of "diary literature，" Tosa nikki and Kagero nikki. It is concluded that Tosa nikki fails as diary literature because it unsuccessfully mixes two literary forms, the diary and the pōetry collection; because of the multiplicity of its themes; and because of the ambiguity and weakness of the diarist's voice. It is argued that Kagerō nikki succeeds for a variety of reasons, including the power and universality of its principal theme, the authenticity of its voice, and the narrative density made possible by a unifying theme. | |||||
| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 6, p. 217-234, 発行日 1983-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
