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研究発表(1) 王朝散文の擬集性 ―時制とアスペクトを中心に―
https://doi.org/10.24619/00002066
https://doi.org/10.24619/00002066c3ae9a7e-4369-4f0e-8d03-fc47059f869f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表(1) 王朝散文の擬集性 ―時制とアスペクトを中心に― (14.4 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-08-05 | |||||
| タイトル | ||||||
| タイトル | 研究発表(1) 王朝散文の擬集性 ―時制とアスペクトを中心に― | |||||
| タイトル | ||||||
| タイトル | Cohesion in Heian vernacular prose: the role of mood, tense, and aspect | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002066 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Quinn, Jr Charles J
× Quinn, Jr Charles J× QUINN, Jr Charles J |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | If aesthetics is ever to be more than a speculative play , of the genus philosophical, it will have to get down to the very arduous business of studying the concrete process of artistic production and appreciation. ――Edward Sapir In analyzing the discourse of Genji monogatari, scholarship has long employed categories such as 'plain narration' (ji no bun), 'conversation' (kaiwa), 'interior monologue' (naiwa), 'narrator's personal comments' (sōshiji) and 'verse'(uta, waka). Perhaps no one would take issue with these terms as subtypes of narrative discourse, but it is a fact that in the text itself they are not always so readily distinguished. For example, respect language (keigo) in the "plain" narrative mode is often motivated by a certain character's social position vis-a-vis another character. And are not interior monologue and the narrator's personal comments varieties of the ji no bun? Verse, whether entire poems composed by characters, or fragments inserted for allusive purposes, is put to a variety of uses. So it would seem worthwhile to attempt a more basic description of the discourse of narrative prose in this period, one that would describe the major rhetorical strategies and distinctions available in the syntax and morphology of the language itself, which are then deployed in different configurations, to different ends, depending on the genre, the author's intentions, and so on. Previous studies of narrative modes in Heian monogatari have tended to focus almost exclusively on the Genji, and have often attempted to explain differences in mode or point of view by hypothesizing corresponding differences in the actual world of monogatari production and consumption. The present investigation is an attempt to account for the same problems, but it begins by addressing several much more basic issues. What is it that makes a collection of sentences a coherent text? What are the characteristic discourse functions of particular syntactic (e.g. kakari-musubi) and morphological (e.g. the various jodoshi) strategies? While touching upon a number of the factors involved in establishing cohesion in a text, I will concentrate on the roles played by mood, tense, and aspect, in particular epistemic modality, which is concerned with expression of the speaker's convictions, doubts, and attitudes. The basic distinction drawn in this study is between a mode of narrative commentary (the 'marked' mode), which is more or less embedded in the language of the text, and a mode of events, which together comprise the plot of the story ('unmarked'). Examples from modern Japanese, English, and French are also presented as evidence of the very basic nature of this distinction. I believe that such an approach can, at the very least, serve as a more general supplement to the traditional types mentioned above, and that it may lead to a better understanding of (1) the ways in which a story was told, processed, and understood in Heian Japanese, and (2) the language itself. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 7, p. 9-29, 発行日 1984-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
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| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
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| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
