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研究発表 日本近代文学における西洋演劇受容 ―森 鷗外を中心に―
https://doi.org/10.24619/00002145
https://doi.org/10.24619/00002145c7ebe69f-e921-4e15-aab8-dbbc898a15da
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 日本近代文学における西洋演劇受容 ―森 鷗外を中心に― (10.9 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-09-02 | |||||
| タイトル | ||||||
| タイトル | 研究発表 日本近代文学における西洋演劇受容 ―森 鷗外を中心に― | |||||
| タイトル | ||||||
| タイトル | The Reception of Western Theatre in Modern Japanese Literature, with Special Reference to Mori Ogai | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002145 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
金子, 幸代
× 金子, 幸代× KANEKO, Sachiyo |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In August 1889, the year following his return from studies in Germany, Ogai became a member of the Japan Theatre Society. In October he founded the journal "Bungaku Hyôron Shigarami Sôshi", thus giving rise to a militant activity for enlightenment. The aim of "Shigarami Sôshi" was to criticize the excessive Westernization and the complacent reformism trend of those days - "to check the current with a weir" ("nagare ni shigarami o kakeru"). In his critique "Engeki kairyô ronsha no henken ni odoroku"("On being shocked at the dissorted views of the theatre reformers.") m the initial issue, and the articles "Futatabi geki o ronjite yo no hyôka ni kotau"("A second essay on the theatre in answer to cntices of the age" and "Engeki jyô ura no shijin"("The poets behind the theater"), Ogai set forth his views on theatre reform in quick succession. His criticism was levelled at the discussions of the theatre reformers who concentrated their attention entirely on imitation of theatres in the West and the constructions of new theatres; at the same time they ignored the essential problem of reform of the plays themselves. Ogai urged the importance of drama. "I will contribute all my mite to our Theatre Society. Out of respect for the new audience, I want to follow a little the tracks of the European, especially the German theatre reformers' movement which they established for the development of the art, and select what might be beneficial for our Society. This is what I would like to give as my humble souvenir."This words reflect Ogai's experiences during his studies aboard when he himself was in contact with the Western theatre through playgoing and theater critiques. Ogai also touched on the autonomy of the dramatist. In particular he suggested that drama should be considered as a literary genre. With ogai participating in the Theatre Society, the hitherto low-key movement for theatre reform took a big step toward establishing a modern theatre. As we can see in Ogai's suggestion, the reception of Western theatre in Japan had not been confined to theatrical circles but became as well an influential factor in the development of modern Japanese literature. This paper tries particularly to shed some light on the relation between Ibsen's plays and those writers, especially Ogai, who were the driving force behind modern Japanese literature. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 13, p. 98-112, 発行日 1990-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
