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研究発表 和泉式部恋愛詩歌の特徴 ―韓国の女流詩人黄真伊との対比を通して―
https://doi.org/10.24619/00002259
https://doi.org/10.24619/00002259e0a214f0-b3d5-46ea-b05f-b81c7148bde8
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 和泉式部恋愛詩歌の特徴 ―韓国の女流詩人黄真伊との対比を通して― (14.2 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-09-02 | |||||
| タイトル | ||||||
| タイトル | 研究発表 和泉式部恋愛詩歌の特徴 ―韓国の女流詩人黄真伊との対比を通して― | |||||
| タイトル | ||||||
| タイトル | THE LOVE POETRY OF IZUMI SHIKIBU\nA comparison with the Korean Poet Hwang Jin Ie | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002259 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
南, 二淑
× 南, 二淑× NAM, Yisug |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Having left behind a body of work comprising some 1,500 poems, Izumi Shikibu is justly regarded both quantitatively and qualitatively as one of Japan's greatest poets. How does her oeuvre stand in comparison with Korean wornen writers of that period? As is well known, the mid-Heian period during which Izumi was active was a golden age for female writers in Japan. From this period we have Murasaki Shikibu's Genji Monogatari, Sei Shonagon's Makura no Soshi, and Akazome Emon's Eiga Monogatari. By contrast, in neighboring Korea these years were unusually unproductive. Not a single monogatari or private poetry collection survives. The main reason for this may be that Korean writers still had no language of their own in which to express themselves. This is substantiated by the fact that the introduction of Hangul characters in 1446 precipitated a rapid upsurge in literary production from the Korean Imperial Dynasty onwards. Many of these poets were in fact giseng performers. The effects of male polygamy and discrimination against women were still marked during the Imperial Dynasty and women were not generally able to express themselves freely. Giseng performers, though low in status, were exempt from these restrictions and were thus able to give free reign to their self-expression. One such performer, Hwang Jin le, composed exquisitely phrased poems unrivaled by her male contemporaries using a tanka format called shijo. I propose to consider the poetry of Hwang Jin le together with the love poetry of Izumi Shikibu. A comparison of two completely unrelated writers may seem pointless, not to mention the differences in their respective social climates. However, I believe that viewing the work of Izumi Shikibu in this way will enable us to reconsider her poetry with a fresh perspective, and also to illustrate the general content and structure of Japanese and Korean women writers of that period. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 20, p. 32-52, 発行日 1997-10-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
