WEKO3
アイテム
講演 中国資料に描かれた日本人像 ―遣唐大使の風貌を中心に―
https://doi.org/10.24619/00002627
https://doi.org/10.24619/000026275c7ad9fb-ed0e-41c0-a236-417735ed23ba
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
講演 中国資料に描かれた日本人像 ―遣唐大使の風貌を中心に― (9.8 MB)
|
.png)
|
| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-10-07 | |||||
| タイトル | ||||||
| タイトル | 講演 中国資料に描かれた日本人像 ―遣唐大使の風貌を中心に― | |||||
| タイトル | ||||||
| タイトル | Japanese as Portrait in Chinese archives\non the Figure of the Members of Kentôshi (the Mission to Tang) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002627 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
王, 勇
× 王, 勇× WANG, Yong |
|||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The very interesting point is how Japanese were described in Chinese material and drawn in pictorial material. Waren (Japanese) in Zhigong Tu is said to be the oldest portrait of Japanese, but I would like to observe both literal and pictorial material focusing on the figure of members of kentôshi. It is well known in Japan that they had to be intellectual and handsome in order to become members of kentôshi. What kind of impression did they give to Chinese? First I would like to examine the member's image that Chinese had referring to description written in material about Awata no Mahito as handsome with dignity, Abe no Nakamaro as breathtaking handsome and Sakaibe no Okita as tall without much of hair. The meaning of "shintokukan (jindeguan)" that Awata no Mahito wore, the origin of the phrase of “breathtaking handsome” and the background of the phrase of “tall without much of hair” are especially considered. Secondary, I would like to take a look at Liben-tu in the tomb of Zhanghuai-Taizi, The Portrait of Jishi Zhangdan in Tokyo National Museum, Minghuang Huiqi-tu and the like. There are two theories; one is that the member on a mission drawn in Liben-tu is a man of Gaojuli. The other one is that he is a Japanese. I will guess which one referring to the literal material and presume the Japanese in The Portrait of Kishi-no Nagani drawn by Tang royal painters. A monk playing a game of go with Emperor Xuanzong in Minghuang Huiqi-tu should be examined with a Japanese monk, Benshô. Based on the literal and pictorial material listed above, I would like to consider the diplomatic significance that the figure of members to Tang gave in the ancient eastern Asia and emphasize the historical facts of the pictorial material. |
|||||
| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 24, p. 1-15, 発行日 2001-03-01 |
|||||
| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
