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研究発表 歌作りということ ―和歌史における俊頼の位置―
https://doi.org/10.24619/00002679
https://doi.org/10.24619/000026791de12331-6091-4ff6-86ed-581f6fa2f10e
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 歌作りということ ―和歌史における俊頼の位置― (8.1 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-10-07 | |||||
| タイトル | ||||||
| タイトル | 研究発表 歌作りということ ―和歌史における俊頼の位置― | |||||
| タイトル | ||||||
| タイトル | A waka maker\nthe place of Toshiyori in the waka history | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002679 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
寺田, 澄江
× 寺田, 澄江× TERADA, Sumie |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | From the Ancient to the Middle age, the fundamental poetical structure progressively shifts from a linear discourse, represented by “pillow word (makura kotoba)” or “introductive word (jo-kotoba)”, to a “compositive” one, illustrated by “associated words (engo)”. This evolution in the discourse strategy takes form, in terms of waka’s versification, the establishment of a very clear double structure―splitten into kami no ku (l7syllables) and shimo no ku (14syllables)―which is related itself with the development of the short linked poetry (tan renga) in the later Heian period. This marginal poetical category, generally treated as a simple transitive form between the waka and the linked poetry, has its part in the important changes in the organization principle of the waka. Minamoto no Toshiyori, to whom the originality in the composition was his great concern, devoted himself to the short linked poetry, considering it as a sole poetical form which one can be proud of among the literary works of his time. According to Kenshô, he difined himself as follows: “I’m not a poem teller (or poem singer: uta yomi) but a poem maker (uta tsukuri). I mean, what I do is, rather than regarding fine effects (fuzei), combining exquisite words and structuring them.” I will try to clarify in what way Toshiyori’s keen concern to the originality is related with this manifesto-- a very expression of the “compositive” discourse-- and with his interest to the short linked poetry. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 27, p. 69-80, 発行日 2004-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
