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研究発表 「南方憧憬」と「帝国」の接点 ―台湾原住民神話に関わる作品・中村地平「太陽の眼」を通して―
https://doi.org/10.24619/00002681
https://doi.org/10.24619/00002681b305e05f-c93c-425f-8151-90e4aec96ecb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 「南方憧憬」と「帝国」の接点 ―台湾原住民神話に関わる作品・中村地平「太陽の眼」を通して― (21.1 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-10-07 | |||||
| タイトル | ||||||
| タイトル | 研究発表 「南方憧憬」と「帝国」の接点 ―台湾原住民神話に関わる作品・中村地平「太陽の眼」を通して― | |||||
| タイトル | ||||||
| タイトル | Connecting "Idealized Yearning for the South" and Empire\nExamining Works Involving Native Taiwanese Legends, Nakamura Chihei's Taiyô no Me | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002681 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
阮, 文雅
× 阮, 文雅× JUAN, Uen-Ia |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | From the last part of Taishô into the early Shôwa era, Satô Haruo, Nakamura Chihei and other Japanese authors at home (Naichi) began to write works with an eye on Taiwan, then Japan's colony. Due to them stating that their works involving the South (Nanpô) came from their yearning for it solidified the view that these works should be viewed from the standpoint of an “Idealized Yearning for the South” (Nanpô-Shôkei) which is combined with sentimentalism and enthusiasm regarding foreign lands. The Japan’s war against China made Taiwan’s position as the gateway for Japan’s advancement into the south clearer. Through Taiwan's commitment to the Pacific War, literature that depicted Taiwan due to an “Idealized Yearning for the South” was also forced to change when it was met with the plans for southern advancement of the Empire of Japan. Among Satô Haruo’s works is Machô, in which a native Taiwanese legend was turned into a novel. Following this, Nakamura Chihei presented works which also dealt with native Taiwanese legends. Pre-war, he wrote Kubochi no ue no shinakumo, Jinrui Sôsei, Taiyô no Me, and Taiyô Seibatsu one after another, and post-war the collection Taiyô no Me was published. Nakamura Chihei also at one time made clear his opinion that legends “the highest form of literature,” and that “literature should have ethnic and regional characteristics,” going on to say that “creating ethnic legends, that is where I find the highest ideal of literature.” The reason Nakamura Chihei created so many works based on native Taiwanese legends was undoubtedly due to this literary “ideal”. Even as these authors yearning for the south sought to explain the virtues of the “Southern Literature” (Nanpô-Bungaku) through native Taiwanese legends, to what degree had they been able to enact the ideal of “creating ethnic legends”? What must not be forgotten is that the face of native Taiwanese was introduced to home (Naichi) by way of these legends, and as a secondary result, this contributed to colonialist thinking of the time. The lack of originality in Nakamura Chihei's stories about native Taiwanese legends reflect a pattern of the Empire’s colonialist thinking, and in turn represents the problems of Asian ethnic groups that continue today. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 27, p. 115-143, 発行日 2004-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
