WEKO3
アイテム
研究発表 異文化としての墓地 ―永井荷風による花の都の再構築―
https://doi.org/10.24619/00002686
https://doi.org/10.24619/0000268631b30cfd-2c9a-4b33-85d7-ad522381f518
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 異文化としての墓地 ―永井荷風による花の都の再構築― (6.5 MB)
|
.png)
|
| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-10-07 | |||||
| タイトル | ||||||
| タイトル | 研究発表 異文化としての墓地 ―永井荷風による花の都の再構築― | |||||
| タイトル | ||||||
| タイトル | The Fiction of the Cemetery\nA fictional reconstruction of Paris in the prose of Nagai Kafû | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002686 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Gabrakova, Dennitza
× Gabrakova, Dennitza× GABRAKOVA, Dennitza |
|||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | A close reading applied to Kafû’s short work of prose “Pilgrimage to the Cemetery” (1910), included in the collection of short prose pieces “Fallen Leaves of the Chestnut Trees”, reveal a unique experience of the foreign city. The narrator of the story, facing the modern city of Paris, stages up a literary fantasy inspired by the works of famous French authors, thus interweaving innumerable quotations of French literature into the texture of Paris. However, the setting of the story in the cemeteries around Paris, where the quotations of the already diseased literati, carved on the tombstones, literally appear in front of the narrator’s eyes, is genuinely original. Using the material of the tombstones, as a special incarnation of the pages of the book, the narrator constructs a fictional labyrinth out of the cemetery, which serves both as a platform of observation and as a mirror to the city of Paris. The image of “the lady of the camellias” as the center of the labyrinth reflects the confused yearning of the narrator. The cemetery becomes a stage for the performance of the narrator, who takes the role of “an eastern Don Juan” singing Verdi’s “Traviata”. Thus the cemetery itself reveals itself to be the very symbol of artificially created space and the view of Paris it offers to the narrator isn’t but an equally artificial creation veiled by artistic mist. The transformation of the cemetery into a stage for a carnivalesque experience of Paris, shows how death and carnival entwine as a powerful trope of expressing the indispensability of fiction in the perception of the foreign city. |
|||||
| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 27, p. 209-218, 発行日 2004-03-01 |
|||||
| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
