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研究発表 忘れられた一文芸の系譜 ―加藤清正伝承から見た「壬辰倭乱物」―
https://doi.org/10.24619/00002692
https://doi.org/10.24619/000026927d655d7a-5795-45f8-83c6-27e76b24bcfe
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 忘れられた一文芸の系譜 ―加藤清正伝承から見た「壬辰倭乱物」― (19.3 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-10-13 | |||||
| タイトル | ||||||
| タイトル | 研究発表 忘れられた一文芸の系譜 ―加藤清正伝承から見た「壬辰倭乱物」― | |||||
| タイトル | ||||||
| タイトル | The Legacy of a Forgotten Genre\n"Works on Imjinwaeran (Bunroku/Keichou invasions) mono" and the Story of Kato Kiyomasa | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002692 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
金, 時徳
× 金, 時徳× KIM, Shiderk |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This presentation will look at one genre of war tales (gunki monogatari) from the Edo period: works on Imjinwaeran (stories of Hideyoshi's invasions of Korea; “Chosen gunki mono” in Japanese). A particular focus will be taken on the telling of Kato Kiyomasa's attacks on Orangkai. To date, works on Imjinwaeran have received little attention in research on classical Japanese literature, but were written and published throughout the Edo period and performed an important role in shaping pre-modern Japanese opinions of the outside world. Imjinwaeran (The Bunroku / Keichou invasions) was Japan’s first war overseas, and had a profound affect on pre-modern society, leading to its transition into literature. There were chiefly three reactions to the war. One was satiating curiosity about the outside world during the period the country sealed itself off by reading of foreign adventures during the Japanese army’s advances through Korea to the “other world” of Orangkai. In this case, these recollections over time become more infused with fantasy and exactness of detail at the same time. The other is, accepting the legend of the empress “Jingu’s conquest of the three Korean kingdoms” as fact, justifying Hideyoshi’s invasions as “Hideyoshi’s conquest of the three Korean kingdoms”, so to eliminate the shock of the event being a foreign adventure. In this case, it is thought that the relationship established between Japan and Korea by the ancient conquest by Jingu is lost in the Warring States period, but is reconstructed by the humanity of Kato Kiyomasa to the people of Korea, leading them to again bow before Japan. At last, due to the “fear of victimization” held over from medieval times following the Mongolian invasions, Kato Kiyomasa’s attack on Orangkai, and the invasion of Korea itself, is rationalized as a line of defense from the “outside”. As can be seen, works on Imjinwaeran are not merely one sub-genre of the “Taikoki--mono (Works on Taiko Hideyoshi)”, but comprise a unique genre unto themselves as war tales, making research into their complexities important to the understanding of classical literature in general. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 28, p. 51-75, 発行日 2005-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
