WEKO3
アイテム
研究発表 夕暮の「待つ恋」の歌 ―中国閨怨詩との異同を中心に―
https://doi.org/10.24619/00002747
https://doi.org/10.24619/00002747f54fe496-d882-4b9c-a9cd-c183a67938b7
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 夕暮の「待つ恋」の歌 ―中国閨怨詩との異同を中心に― (6.9 MB)
|
.png)
|
| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-11-18 | |||||
| タイトル | ||||||
| タイトル | 研究発表 夕暮の「待つ恋」の歌 ―中国閨怨詩との異同を中心に― | |||||
| タイトル | ||||||
| タイトル | Poems on "Waiting for Love" at Dusk\n―Focusing on the Contrast with Chinese Keien Shi | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002747 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
金, 中
× 金, 中× JIN, Zhong |
|||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Dusk is an intense time when feelings of love take rise. In classical Japanese society, due to the practice of “tsuma-doi”, dusk is also the time that men visit the homes of women. As is well known, due to the influence of Chinese Keien Shi (poems on resentment), there is a large increase in poems on “waiting for love” composed from the standpoint of women in the world of Waka poetry from the Heian period onward. This presentation examines poems on “waiting for love” at dusk in the first eight imperial anthologies and demonstrates their features through comparisons with Chinese literature. Poem 815 of the Kokinshū, “Night passes, and with no one here I clear away the floor. Have I become someone destined to lament?”, shows an influence simultaneously from 奉和湘東王教班妤by Ka Shichō and “Kafu Fu” by 丁廙妻 found in the laments section of Geimon Ruijū, combining the themes of “resentment” and “lements”. The “waiting for love” at dusk poem in the Kokinshū are generally composed in this vein. Poems on “waiting for love” at dusk in the eight imperial anthologies speak of the feeling of forlornness by a woman waiting for a man who does not arrive, sharing a common thread with Chinese Keien Shi, likely deriving a great number of expressions from Chinese poems including the Gyokudai Shin’ei. However, Chinese Keien Shi set at dusk focus entirely on “resentment”. While the waiting woman sighs, she longs for the resumption of their meetings. However, in the “waiting for love” at dusk poems in the 8 anthologies the focus is on “resignation”, where the woman holds no hope of the resumption of their meetings. The occurrence of sorrow and despair is far greater than that found in Chinse Keien Shi. It can be seen that while Waka from the Heian period on take great influence from Chinese poetry, they hold many base differences that can be seen in poems on “waiting for love” at dusk. |
|||||
| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 31, p. 93-104, 発行日 2008-03-31 |
|||||
| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
