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  1. 国際日本文学研究集会
  2. 国際日本文学研究集会会議録
  3. 第32回

研究発表 物語に見る唐土意識と日本意識 ―『うつほ物語』、『源氏物語』、『浜松中納言物語』を通して―

https://doi.org/10.24619/00002763
https://doi.org/10.24619/00002763
bf3f9b3f-ba8f-43a0-bcb2-b9873cd88930
名前 / ファイル ライセンス アクション
I3204.pdf 研究発表 物語に見る唐土意識と日本意識 ―『うつほ物語』、『源氏物語』、『浜松中納言物語』を通して― (8.0 MB)
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Item type 会議発表論文 / Conference Paper(1)
公開日 2016-08-01
タイトル
タイトル 研究発表 物語に見る唐土意識と日本意識 ―『うつほ物語』、『源氏物語』、『浜松中納言物語』を通して―
タイトル
タイトル "China Consciousness" vs. "Japan Consciousness" in Monogatari Literature of the Japan, Heian Era
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_5794
資源タイプ conference paper
ID登録
ID登録 10.24619/00002763
ID登録タイプ JaLC
著者 丁, 莉

× 丁, 莉

WEKO 25381

丁, 莉

ja-Kana テイ, リ

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DING, Li

× DING, Li

WEKO 25382

en DING, Li

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抄録
内容記述タイプ Abstract
内容記述 During the Heian Era of Japan, there were many Monogatari literatures with contents involved China, referred as 唐土 Morokosi at that time. The contents contained not only the heavy Chinese cultural influence on Japan but also economic and humanistic exchanges between these two countries. One example is that the main character in the Utsuho Monogatari, Toshikage, who was sent as diplomatic delegate to Tang China. A mysterious musical instrument “Kin” which he found in "唐土" and all the follow on initiation stories of the instrument constitutes the overall plot. Another example can be found in Genji Monogatari. There were miscellaneous Karamono (imported goods from China) in this monogatari and ownership of Karamono was perceived as symbol of financial and social status. Similarly, in Hamamatsutyuunagon Monogatari, there was one chapter with background scene set in China, and a love story highlighted among Japanese and Chinese.
On the other hand, natural concerns of their own country and their cultural indigenousness can be seen throughout the monogataris. When facing a more cultural advanced society and its prevailing influence on the Japanese culture, how Japanese people reacted toward their own native culture. It was particularly evident when the main characters of the monogataris travelled to China. The emotions of how they felt in a foreign country and how they perceived the differences between China and Japan.
With these questions in mind, this paper attempts to examine the various perspectives of “China Consciousness” vs. “Japan Consciousness” of Japanese people of the Heian Era focusing on these three monogatari literatures. Moreover, there are comparative analyses of each literary work to highlight the possible differences from the perspectives of male and female authors; and official case and private case.
書誌情報 国際日本文学研究集会会議録
en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE

号 32, p. 53-63, 発行日 2009-03-31
出版者
出版者 国文学研究資料館
ISSN
収録物識別子タイプ ISSN
収録物識別子 0387-7280
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内容記述タイプ Other
内容記述 pdf
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