WEKO3
アイテム
研究発表 大庭みな子文学における過去と現在の語り方
https://doi.org/10.24619/00002768
https://doi.org/10.24619/000027687cca0ffb-7921-4d79-9074-429b0e48aed0
名前 / ファイル | ライセンス | アクション |
---|---|---|
![]() |
Item type | 会議発表論文 / Conference Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2016-11-18 | |||||
タイトル | ||||||
タイトル | 研究発表 大庭みな子文学における過去と現在の語り方 | |||||
タイトル | ||||||
タイトル | Narratives of past and present in Ōba Minako's Literature | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
資源タイプ | conference paper | |||||
ID登録 | ||||||
ID登録 | 10.24619/00002768 | |||||
ID登録タイプ | JaLC | |||||
著者 |
Tan, Daniela
× Tan, Daniela× TAN, Daniela |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Previously, Ōba Minako has not generally been considered a writer of the “introverted generation” (naikō no sedai). Nevertheless, in some more recent publications her work is being re-read in this context, due to the dynamic flow of thoughts linking the inner and the outer world, which enables also a way to express memories. Furuya Kenzō compares the sceneries in her texts to the inner landscapes “every person keeps somewhere in a deeply hidden place of one’s mind”. At a first glance, the expression of the self in Ōba’s works seems to be very exposing. But how does the reader get involved with the inner world of the narrator? What writing strategies does Ōba Minako employ to cross the borderline between the inner and the outer world, and thus, to engender the dream-like atmosphere of her works? The analysis of her writing technique has found three main strategies: (1) the direct transition from the observation of the narrator’s environment to the inner flow of thoughts (“stream of consciousness”); (2) the permanent blurring of past and present; (3) the interweaving representation of dream and reality. The reading of Ōba Minako’s work, as proposed in the present paper focuses on the second strategy, the blurring of past and present. It argues that her way of narrating the past perfectly corresponds to the nrrrator’s inner perspective. Ōba was born in 1930, and therefore belongs to the generation that experienced World War II in their youth. After her rather late debut, in 1968, the trauma that had been buried for a long time broke its way through narration. Applying narratological methods, this paper analyzes the narratives of past and present in Ōba Minako's literature. |
|||||
書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 32, p. 119-131, 発行日 2009-03-31 |
|||||
出版者 | ||||||
出版者 | 国文学研究資料館 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 0387-7280 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 |