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研究発表 黙阿弥の明治期歌舞伎における没落士族の表象 ―「満二十年息子鑑」と「水天宮利生深川」を通して―
https://doi.org/10.24619/00002886
https://doi.org/10.24619/00002886ae50af10-196e-4859-8cc0-b867f0dc514d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 黙阿弥の明治期歌舞伎における没落士族の表象 ―「満二十年息子鑑」と「水天宮利生深川」を通して― (8.0 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-11-18 | |||||
| タイトル | ||||||
| タイトル | 研究発表 黙阿弥の明治期歌舞伎における没落士族の表象 ―「満二十年息子鑑」と「水天宮利生深川」を通して― | |||||
| タイトル | ||||||
| タイトル | A Symbol of "Shizoku" in Meiji Era\n―from Mokuami's play called "Zangiri-Mono"― | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002886 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
李, 賢貞
× 李, 賢貞× LEE, Hyun Jeong |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Kawatake Mokuami was very popular from the end of Edo period to the middle of Meiji era. He was the representative script writer of Edo (Tokyo) Kabuki. After the Meiji Restoration, he wrote some adaptations in drastically changing society and made a considerable achievement. Especially, “Zangiri-Mono” was performed frequently based on information collected from newspapers dealing with new customs up to the middle of Meiji era, which gave “Zangiri-Mono” a function of a contemporary drama at that time. Various subjects were dealt with in “Zangiri-Mono”; especially, Mokuami’s favorite type of character was “shizoku”, descendant of a samurai. After the abolishment of the caste system during the Meiji Restoration, degraded Shiozoku, who used to be in worrier caste but got into distress because of the failure in business etc., attracted attention from commoners in daily life. For example, during about 15 years between its first issues and the middle of Meiji era, the Yomiuri Shimbun offered more than 1500 articles covering Shizoku; some examples were Shizoku who were caught with hands in burglar and eating without paying, and who attempted to commit suicide. This kind of Shizoku’s news used to fill the pages of the newspaper. In this way, Mokuami chose Shizoku, who had been focused on till around the middle of Meiji era, as characters in his dramas. Or, rather, it can be said that “Zangiri-Mono” created a typical character which plays a supporting as well as a central role, “shizoku”. In this paper, I would like to look at “shizoku” depicted in dramas, with special attention to works such as Man Nijyūnen Musuko Kagami, and Suitengū Megumino Fukagawa. By examining “shizoku” in those, I will consider what kind of initial image of “shizoku” an audience had and what kind of attitude commoners had toward “shizoku”, along with seeking the meaning of Meiji Kabuki, which still continues to be out in theatres now. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 33, p. 157-167, 発行日 2010-03-31 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
