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中上健次「浄徳寺ツアー」における〈語り〉の試み ――〈語り物〉文芸の受容と、老婆の〈語り〉――
https://doi.org/10.24619/00003706
https://doi.org/10.24619/00003706cb8a3d4e-e947-45fe-8af6-26f1e6916012
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
中上健次「浄徳寺ツアー」における〈語り〉の試み ――〈語り物〉文芸の受容と、老婆の〈語り〉―― (1.8 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-11-26 | |||||
| タイトル | ||||||
| タイトル | 中上健次「浄徳寺ツアー」における〈語り〉の試み ――〈語り物〉文芸の受容と、老婆の〈語り〉―― | |||||
| タイトル | ||||||
| タイトル | Attempts of 〈narrative〉 in Kenji Nakagami's "Jōtokuji Tour" | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 中上健次 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 浄徳寺ツアー | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 語り物 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 文芸の受容 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00003706 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
松本, 海
× 松本, 海× MATSUMOTO, Kai |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Kenji Nakagami, who was born in Kumano, a land which inherited various traditions, and was brought up by an illiterate mother in his young age, was a writer with a strong conscious of the <narrative> aspect of the oral tradition. In the short work series from 1974 to 1976 compiled later into the short story collection "Kesho", <oral literature> such as Noh, Noh songs and sermons are used as motifs. There are several prior studies on <oral literature> in the "Kesho" work group, and the relationship between specific concrete classic works as <oral literature> and the short stories of "Kesho" has already been pointed out. Although there are no consideration on the reception of such <oral literature> about other Nakagami works produced at the same time than "Kesho". For other works as well, we must consider the relationship with <oral literature>. Looking at the "Jōtokuji Tour" ("Bungei Tenbou" written in April 1975) written at the same time that the "Kesho" work group, Nakagami was trying to express <narrative>. In the "Jōtokuji Tour", the hero, who is a tour operator, guides guests including old women participating in a tour around Jōtokuji. Under these circumstances, the old women surround him and talk a lot about their own experiences of the past. The distinctive narratives of old women showed a new horizon as Nakagami, caused <narrative> to express through the work group of the same period. I analyze <narrative> appearing on "Jōtokuji Tour" in detail, while clarifying the importance of "Jōtokuji Tour" which was rarely mentioned until now. I will reexamine the attitude of <narrative> and <oral literature>, and want to show a new direction in the Kenji Nakagami's research. |
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| 書誌情報 |
第４１回 国際日本文学研究集会会議録 en : PROCEEDINGS OF THE 41st INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 41, p. 19-26, 発行日 2018-03-28 |
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| 出版者 | ||||||
| 出版者 | 人間文化研究機構 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
