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研究発表 知の不安定性の力――藤原清輔と藤原俊成の歌論の分析からみた中世における『万葉集』の受容について――
https://doi.org/10.24619/00004008
https://doi.org/10.24619/000040087acc344d-489f-4e52-8407-f6c86e15e1b8
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 知の不安定性の力――藤原清輔と藤原俊成の歌論の分析からみた中世における『万葉集』の受容について―― (1.4 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2019-10-28 | |||||
| タイトル | ||||||
| タイトル | 研究発表 知の不安定性の力――藤原清輔と藤原俊成の歌論の分析からみた中世における『万葉集』の受容について―― | |||||
| タイトル | ||||||
| タイトル | The Power of Instability: Medieval Reception of Man'yōshū as examined in Poetry criticism（karon） By Fujiwara Kiyosuke and Fujiwara Shunzei | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 藤原清輔 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 藤原俊成 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 中世万葉集受容 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 歌論 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00004008 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
チトコ, マウゴジャタ カロリナ
× チトコ, マウゴジャタ カロリナ× CITKO, Malgorzata Karolina |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | What happens to knowledge when we gain access to new information and take into account more variables? The answer is obvious – it updates and it changes. In this presentation, I trace how generations of reception and appropriation of Man’yōshū (759－785), the first extant poetry collection in Japanese, have been affected by the poetic discourse, instability of knowledge and channels through which knowledge is carried, and existence of various manuscripts of Man’yōshū in the early medieval era. I deal with two allegedly rival schools – Rokujō and Mikohidari – and two of their representatives – Fujiwara Kiyosuke (1104－1177) and Fujiwara Shunzei (1114－1204). I examine their Man’yōshū reception strategy by analyzing their poetry criticism (karon). My approach is, however, to see them not only as binaries and rivals, but above all as representing continuous stages in the development of the Japanese poetic tradition. The results of my research lead me to a conclusion that the Mikohidari poets, considered to be specialists on the Heian period tales like Genji monogatari, paid much more attention to Man’yōshū scholarship than it is currently acknowledged. Moreover, I argue that the process of modifying the waka tradition in fact started with Kiyosuke, not with Shunzei. The Mikohidari poets took over this process after Kiyosuke’s death, claimed a big part of the Rokujō tradition, and established themselves as modernizers of the poetic craft. The two poets and schools had thus much more in common than is usually acknowledged but they utilized the idea of their rivalry as a tool in pursuit of their goals – to attract potential patrons and thus gain power through knowledge. The Rokujō-Mikohidari rivalry, being the most definitive frameworks for discussing the two schools, is a result of variability of texts and knowledge owned by the two schools. This implies that the common knowledge about waka or Man’yōshū in the early medieval era was much more indefinite than we currently believe. Such instability was possible due to the existence of the already-established poetic discourse that lay beyond the Rokujō and Mikohidari labels; discourse was a shared space where the circulated knowledge continues to be added, replaced, modified and negotiated. In fact, the fluidity of knowledge enabled the poets to use it to their advantage by various mechanisms of stabilizing their line of knowledge transmission; instability of texts and knowledge gave them power. |
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| 書誌情報 |
第４２回 国際日本文学研究集会会議録 en : PROCEEDINGS OF THE 42nd INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 42, p. 27-41, 発行日 2019-03-28 |
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| 出版者 | ||||||
| 出版者 | 人間文化研究機構 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
