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研究発表 清水市次郎出版『絵本通俗三国志』の挿絵についての考察
https://doi.org/10.24619/00004011
https://doi.org/10.24619/000040112c9906d4-8416-4f76-aa78-d02dda724f42
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 清水市次郎出版『絵本通俗三国志』の挿絵についての考察 (10.1 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2019-10-28 | |||||
| タイトル | ||||||
| タイトル | 研究発表 清水市次郎出版『絵本通俗三国志』の挿絵についての考察 | |||||
| タイトル | ||||||
| タイトル | The study of illustrations in Ehontsuzokusangokushi published by Shimizuitijirou | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 清水市次郎 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 絵本通俗三国志 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 読本予約出版 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00004011 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
梁, 蘊嫻
× 梁, 蘊嫻× LIANG, Yunhsien |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Chinese historical novel The Romance of the three kingdoms (Ming Dynasty-Ruoguanzhong) was spread to Japan in Edo period. The first Japanese translation Tsuzokusangokushi (preface by Konanbunzan) was published in Genroku 2nd year (1689). Ehontsuzokusangokushi (author-Ikedatouri/illustrator-Katsushikahokusai) was published in Tenpō 7th year (1836), and was based on the story of Tsuzokusangokushi with illustrations attached. The illustrations in Ehontsuzokusangokushi were over 400 pieces and the amount were the most of “Sangokushi stories” in Edo period. Until Meiji era, there had been over 30 versions of Ehontsuzokusangokushi, and at that time, the movable-type printing was available, so the relationship among booksellers was changed from cooperation to free competition. In many publications, some were imitations of Hokusai (second generation)’s works, and some were original. Ehontsuzokusangokushi (published by Shimizuichijirou) was an original one. The title page was painted by Taiso Yoshitoshi, the illustrations in books were painted by Kobayashitoshimitsu and Mizunotoshikata. No matter the choices of setting or compositions, these were totally different from Hokusai’s works. Thus, we can see that the publisher wanted to make some differences from the classical and create an original work. In the highly-competitive publishing industry, Shimizuitijirou tried something new, such as using regular subscription for promotion or adopting original illustrations and these ways were fruitful. This study will focus on the Ehontsuzokusangokushi published by Shimizuichijirou and analyze the illustrations from the illustrators a Drawing styles. Also thinking about the meaning that original illustrations bring to classical lecture. |
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| 書誌情報 |
第４２回 国際日本文学研究集会会議録 en : PROCEEDINGS OF THE 42nd INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 42, p. 81-101, 発行日 2019-03-28 |
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| 出版者 | ||||||
| 出版者 | 人間文化研究機構 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
