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研究発表 深沢七郎作品における「前近代」の再生 ――『楢山節考』と『甲州子守唄』を中心に――
https://doi.org/10.24619/00001925
https://doi.org/10.24619/000019253b1aab0a-a16c-41bd-a416-56ef10dbd0e1
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 深沢七郎作品における「前近代」の再生 ――『楢山節考』と『甲州子守唄』を中心に―― (882.2 kB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-06-15 | |||||
| タイトル | ||||||
| タイトル | 研究発表 深沢七郎作品における「前近代」の再生 ――『楢山節考』と『甲州子守唄』を中心に―― | |||||
| タイトル | ||||||
| タイトル | Recovery of Premodern in the Work of Fukazawa Shichirō ――"Narayamabushikō" and "Kōshūkomoriuta"―― | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00001925 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
高, 艶
× 高, 艶× GAO, Yan |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The distinctive feature of Fukazawa Shichirō’s work is the creation of the pre-modern world and it’s impact on the readers who live in the era of a high-growth Japanese economy. In this presentation, I am going to examine ‘recovery of pre-modern’ in Fukazawa’s work through study of his representative novels “Narayamabushikō” and “Kōshūkomoriuta”. Fukazawa depicted the people who followed ‘the reason of nature’ as making sinshū and kōshū its starting point. They were widely different from the people who lived in the modern period. The image of Utopian old women and the masses had been pointed out by scholars such as Tōmaru Ryū, Sōya Shinji and Kawamoto Saburō. It seems that seeking a reconstruction of the pre-modern world destroyed by ‘violence’ of modernization is Fukazawa’s rejection of the modern period. The substance of his pre-modern world is an overlap between an image of mother and the reason of nature. However, the pre-modern world portrayed in Fukazawa’s novel was not an innocent Utopia. I would like to consider following points: 1. The subject of a community in the pre-modern era 2. Invasion of modern elements During the beginning of the era of high-growth in the Japanese economy in 1955, Fukazawa, who did not like the modern period, showed a strong objection through his novel “Narayamabushikō”. The terrific figures of common folk who followed nature gave the readers, who at that time praised humanism, a shock. It called on them to reflect on their past conduct. This might be the reason why his later novel “Fuefukigawa” was highly evaluated. However the pre-modern which was his weapon against the modern disappeared in “Kōshūkomoriuta” owing to being dragged into a trend of modernization in the post war period. The halfway recovery of pre-modern in the novel written during the peak of modernization 1964 is Fukazawa’s recurrence of reality from imagination. It seems that it is evidence of the author’s growth after the incident of “Fūryūmutan”. Although Fukazawa’s attitude of criticism towards the modern period is constant, his critical ability is deeply concerned by the extent of recovery of the pre-modern. It is the vivid recovery of the pre-modern in “Narayamabushikō” that has the power of awaking the ‘modern people’. The spiritless recovery of the pre-modern in “Kōshūkomoriuta” dose not have such a power. The fact that the film “Narayamabushikō” received a Palme d’Or at the Festival International du Film de Cannes is powerful evidence that the recovered thought of the pre-modern has been infectious. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 36, p. 121-143, 発行日 2013-03-31 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
