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公開講演 藤原道長と『御堂関白記』
https://doi.org/10.24619/00002063
https://doi.org/10.24619/000020639bcd6216-a2eb-479d-8ecf-1ef0d6f7e5aa
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
公開講演 藤原道長と『御堂関白記』 (11.7 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
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| 公開日 | 2016-08-05 | |||||
| タイトル | ||||||
| タイトル | 公開講演 藤原道長と『御堂関白記』 | |||||
| タイトル | ||||||
| タイトル | Fujiwara Michinaga and Midō kanpakuki | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002063 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
山中, 裕
× 山中, 裕× YAMANAKA, Yutaka |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | What is written in Midō kanpakuki, the diary of Fujiwarano Michinaga? What are the essential qualities of the diary? I would like to consider these questions in conjunction with the portrait history has painted of Michinaga. In his political life, Michinaga held the ranks of Nairan （内覧） sadaijin, （左大臣） sessho, （摂政） and dajō-daijin, （太政大臣） serving the lchijō, Sanjō and Goichjō emperors. During the reigns of these three emperors, his daughters (Shoshi, Kenshi and Ishi) served at court with the rank of chūgū. The Goichijō emperor was Michinaga's grandson. After he became emperor at the age of nine, Michinaga advised him as sesshō. Moreover, Michinaga's daughter, Ishi, served in the court of this Goichijō emperor and Michinaga was on intimate terms with those in the imperial household. When Ishi became the empress Michinaga composed the famus waka, "Kono yo oba…" However, Michinaga spent the greater part of his career as nairan, becoming sesshō for only one year in the reign of the Goichijō emperor. He subsequently relinquished his title as sesshō to his eldest son, Yorimichi, and became dajō-daijin, but took the tonsure shortly afterwards and built Hōjōji Temple. He died December 4, Manju 4 (1027). His life after taking the tonsure is recosded in detail in Shōyūki （小右記） Eiga monogatari, and other writings, but not in Midō Kanpuku ki, for the latter is the record of Michinaga's political life. Fourteen volumees of Midō kanpuku ki, written in Michinaga's hand, are now preserved in the Yōmei Bunko in Kyoto and are regarded as a very valuable treasure. Today I would like to compare the Michinaga presented to us in Shōyūki, Gonki, （権記） Eiga monogatari and ōkagami with that revealed in Midō Kanpakuki, and seek to throw some light on the question of the connection between the historical figure, Michinaga, and Hikaru Genji, the hero of Genji monogatari. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 6, p. 235-250, 発行日 1983-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
