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研究発表 『明暗』の視点をめぐって
https://doi.org/10.24619/00002076
https://doi.org/10.24619/000020766b770e89-c339-4197-ab35-1bd10925907a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 『明暗』の視点をめぐって (11.0 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
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| 公開日 | 2016-08-05 | |||||
| タイトル | ||||||
| タイトル | 研究発表 『明暗』の視点をめぐって | |||||
| タイトル | ||||||
| タイトル | On the Point of View in Meian | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002076 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
松井, 朔子
× 松井, 朔子× MATSUI, Sakuko |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In a chapter entitled "On the Distance" in A Study of Literature (1907), Sōseki deals with the problem of narrative point of view and mentions the two major attitudes the author can take towards his work:" the critical" and "the sympathetic". Sōseki must have been conscious of his own narrative technique when he wrote Meian (Light and Darkness) (1916), the most novel -like work ever written by a Japanese novelist. "The shadow of the author" is not altogether eliminated in Meian. The reader may feel the presence of the omniscient author throughout, and in some places hear his voice which is a "projection of (his) sensibility and intellect". In this sense Meian may be called "a critical work". Dramatic irony is effectively used in a relatively small number of places. A humorous tone is occasionally noticeable but not sustained throughout the work. Meian may be regarded as "a sympathetic work" on the whole. Direct and narrated interior monologues are employed to make the reader sympathize and identify with character. Sōseki is more successful with Onobu than with Tsuda. His severely critical analysis of Tsuda's character somewhat spoils the reader 's interest and sympathy. And yet , the distance between the author and the character seems too short in some of Tsuda's interior monolojgues. Perhaps Sōseki's thematic concerns predominated over the artistic unity of the novel. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 8, p. 18-32, 発行日 1985-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
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| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
