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研究発表 韓国モダニストの日本文学受容 ―李箱詩と横光利一をめぐって―
https://doi.org/10.24619/00002156
https://doi.org/10.24619/00002156e719d9be-bad6-42e6-9972-aa4332dd0dcc
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 韓国モダニストの日本文学受容 ―李箱詩と横光利一をめぐって― (11.0 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-09-02 | |||||
| タイトル | ||||||
| タイトル | 研究発表 韓国モダニストの日本文学受容 ―李箱詩と横光利一をめぐって― | |||||
| タイトル | ||||||
| タイトル | THE RECEPTION OF JAPANESE LITERATURE AMONG KOREAN MODERNISTS\nTHE CASE OF YI SANG AND YOKOMITSU RIICHI | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002156 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
佐野, 正人
× 佐野, 正人× SANO, Masato |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Yi sang was a korean modernist who wrote poetry and fiction during the period of Japanese colonization of Korea. Yi sang's relation to Japan is unique: because he believed in the idea of universal modernity he was able to escape from the ambivalence, the aspiration and enmity, that other Korean intellectuals felt toward Japan. It seems, in fact, that through this idea of modernity he forcibly tore into and transformed the modernist literature of Tokyo and of Japan. As a language cut off, as it were, from its nationality, the Japanese that Yi Sang wrote in was a counterpart to the universality of modernity. Yi Sang's association with the literature of Yokomitsu can be narrowed down to three points: the department store poems, the poems about problems with a lover and the series of prose poems. Through the motif of the revolution in the sense of sight, Yi Sang's love poems are in sympathy with the characteristics of the drama of the gaze and the psyche as landscape seen in the new sensualist style of Yokomitsu Riichi. In his prose poem series, Yi Sang is in sympathy with the movement toward a revolution in prose style emblematized by Yokomitsu's work,"Kikai"（"Machine. "） Yi Sang's poems bring to light the essence of the idea of the differentiation of sight that is considered difficult to see in Yokomitsu. Due to the very fact that in his modernist poems he accepted Japanese literature directly and indeed to excess, Yi Sang clearly points out the possibilities of Japanese modernist literature and the way that it should be. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 14, p. 89-105, 発行日 1991-03-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
