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研究発表 戯作における開帳の見立物研究 ―いわゆる「とんだ霊宝」の受容―
https://doi.org/10.24619/00002176
https://doi.org/10.24619/000021766a8984e2-de73-42eb-b5e0-7ae151f0787a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 戯作における開帳の見立物研究 ―いわゆる「とんだ霊宝」の受容― (25.5 MB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-09-02 | |||||
| タイトル | ||||||
| タイトル | 研究発表 戯作における開帳の見立物研究 ―いわゆる「とんだ霊宝」の受容― | |||||
| タイトル | ||||||
| タイトル | A STUDY OF BUDDHIST IMAGE UNVEILING CEREMONY [KAICHŌ]\nParodies in Edo Period Popular Fiction | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00002176 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
崔, 京国
× 崔, 京国× CHOI, Kyoung-Kook |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | As Nakano Mitsutoshi has already pointed out in "Mitate Ehon no Keifu” (Gesaku Kenkyū Chuo Koronsha, 1981), the beginnings of early modern parodies was Ehon Mitate Hyakkachō. Since then, I have paid particular attention to parodies of kaichō, which began with Takarawase no ki in 1774, in the parodies which were published in large numbers in keeping with the vogue for parody during the Edo period and in kibyoshi with their high tendency to parody. Three years after this first takarawase gathering, an exhibition of ‘preposterous miraculous treasures' [tonda reihō] was held at Hirokōji in Ryōgoku. This explains the existence of the brief narrative, "Kaichō" (Futatabi mochi, 1773) which transmits the historical background in which takaraawase with its parody of kaichō and exhibitions of tonda reihō appeared. It is highly likely that what appeared in the overlapping of the vulgarization of kaichō, which tended to see everything as tonda reihō, and Edo's predilection for parody was the parodies of kaichō in popular fiction. The following is a list of parodies of kaichō in chronological order: Takaraawase no ki, 1774; Kaichō tonda reihō ryaku engi, 1777 ;Minari daitsujin ryaku engi, 1781;Kyōbun takaraawase no ki, 1783; Sā okaichō 1784;Shintai kaichō ryaku engi, 1796; Okkabuse moronō kaichō, 1797;Kaichō engi no sakariba,1801; Nomikonda reihō engi, 1802; Kuraishō, 1813;Giengi, 1818; Odoke engi, 1837. In addition, there are a great many examples of popular fiction which contain episodes of tonda reihō. Kaichō parodies can be broadly classified into the following categories: the takaraawase type, the tonda reihō type,and the engimono type which places more emphasis on prose than pictures. In this presentation I would like to discuss ① the classification and meaning of kaichō parodies and ② the strategies employed in parodying kaichō. I believe that in the latter the spirit of playfulness, which is slighted in Japan's modern literature, the use of tradition in literature, and observations concerning the properties of things will become clear. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 16, p. 13-40, 発行日 1993-10-01 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
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| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
