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研究発表 永井荷風が描いたサウンドスケープ ――昭和初期の作品における音の図象性――
https://doi.org/10.24619/00003310
https://doi.org/10.24619/0000331005dbcf33-37e4-4f2b-b09d-485732ec6c4a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
研究発表 永井荷風が描いたサウンドスケープ ――昭和初期の作品における音の図象性―― (357.2 kB)
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| Item type | 会議発表論文 / Conference Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-07-18 | |||||
| タイトル | ||||||
| タイトル | 研究発表 永井荷風が描いたサウンドスケープ ――昭和初期の作品における音の図象性―― | |||||
| タイトル | ||||||
| タイトル | Nagai Kafū's Soundscapes ――An Iconology of Sound in his early-Shōwa Writings―― | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 永井荷風 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | サウンドスケープ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 音風景 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_5794 | |||||
| 資源タイプ | conference paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24619/00003310 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
フォッラコ・, ガラ・マリア
× フォッラコ・, ガラ・マリア× FOLLACO, Gala Maria |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | It is very well known that urban spatialities play a crucial role in Nagai Kafū’s oeuvre. As scholarship both inside and outside Japan has demonstrated, the world described by Kafū is first and foremost an urban world. Urban space, in his work, does not only encapsulate manyfold and deep meaning, but helps clarify important themes related to the broader one of “modernity”, such as “self”, “society”, and “identity”. Further, the significance of sound ― especially music ― in his literature has been thoroughly discussed, showing to what extent this author valued music and incorporated it in his writing, from the juvenile years he spent abroad through his most representative novel ― A Strange Tale from East of the River （1937）. This paper draws on the “Soundscape” theory formulated by R. Murray Schafer and others in order to analyze the form and function of urban sounds in Kafū’s representation of Tokyo in the fast-changing context of early-Shōwa Japan. In particular, it focuses on the soundscapes described in “The Voice of the Bell”, “The Ditch” and “Notes from Terajima”（1936） with the aim of discussing his literary influences and the relationship of these zuihitsu with A Strange Tale, and to gauge the impact of modern urban transformations on Kafū’s writing. |
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| 書誌情報 |
国際日本文学研究集会会議録 en : PROCEEDINGS OF INTERNATIONAL CONFERENCE ON JAPANESE LITERATURE 号 40, p. 92-83, 発行日 2017-03-24 |
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| 出版者 | ||||||
| 出版者 | 国文学研究資料館 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0387-7280 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ||||||
